Every summer, I return to my hometown, Hannibal, Missouri, to reconnect with my roots. I have thirty-seven first cousins and most still live near the dirt road where I grew up. Instead, I send the kids off to catch fireflies in a glass jar or gather sticks for roasting marshmallows. So are regional dialects that connect us on the page and in person. When I set my novel, Flood , in Hannibal, I wanted to give voice to the rural America that raised me and my characters.
All Rights Reserved! Craft Essay. What might happen if you read your memoir aloud as if talking to a therapist, or your personal essay as if jogging on a treadmill? What might an unexpected whisper or pause bring to your novel or poem? Memoir is typically a first-person singular affair—the intimate story of a particular childhood or adolescence or other slice of life. Sarah Fawn Montgomery: Editing this Brevity special issue, Experiences of Disability, has been an interesting process that reminds us of the power of language and the privilege of publishing.
Indeed, in little to no time at…. Often, they are the…. If something nearing a primal pleasure skitters high up beneath your ribs and low in your gut when you read the first page of a story—if you experience a flume of anticipatory longing for the ways in which diction…. Embraced by severely circumscribed subcultures, their best performances are transformed from works of art into manifestoes, and cease to be read by ordinary….
Last Updated: January 21, References Approved. This article was co-authored by Christopher Taylor, PhD. There are 19 references cited in this article, which can be found at the bottom of the page.